Home / Email lists / Live music venue

Sample rows

10 of the 895 rows. Emails and phone numbers are masked here; the CSV has them in full.

What the list shows

California has the most listings: 115 businesses, 80 of them with an email address. Texas follows with 94.

No business name is used by 10 or more listings. 884 businesses have a name used only once.

The median Google rating of the 878 rated businesses is 4.6, and 42 have a perfect 5.0.

Of the 626 email addresses, 300 (48%) are role addresses such as info@, 212 (34%) name a person and 114 (18%) are free mail.

Source: ProfessionLens, November 2026.

What is in this live music venue email list?

The live music venue file has 895 Google Maps listings, counted on 9 November 2026. A row is one place that books bands: a rock club, a jazz room, a honky-tonk, a listening room, a theater that hosts concerts, a bar with a stage or a blues house. A venue with a main room and a small bar under one Maps pin is one row.

Of the 895 listings, 626 have an email address taken from the venue's own website. Phone numbers are on 742 rows and a website is on 828. The website column is nearly full because venues post calendars and ticket links there.

Every row shares the Google category Live music venue. The genre a room favors, the capacity and the booking policy are on the website, which is where to read them.

How can you segment the file?

Open the CSV in Excel or Google Sheets and use four columns. The business name column tells you what kind of room it is: club, saloon, hall, theater, tavern, lounge, brewery, blues, jazz, honky tonk. A touring band that plays heavy music will pick different rows than a folk duo.

State and city are the main cut for a tour. A band routes a tour through cities along a highway, so a filter on the state and city columns gives a list of rooms for each leg. Los Angeles, New Orleans, Minneapolis, Denver, Chicago, Houston, Nashville, Dallas, San Francisco and Austin each have 13 or more listings.

The email type field breaks the 626 addresses into 212 named-person addresses, 300 role addresses and 114 free-mail addresses. Role addresses lead the venue file. Venues often publish a booking@ or info@ address, and the booking address goes straight to the talent buyer.

• Business name: club, hall, theater, tavern, brewery, blues, jazz.
• State and city: the stops on a tour or the home region of a promoter.
• Email type: role addresses such as booking@, named-person addresses for talent buyers and owners.
• Website: 828 rows have one, with a calendar that shows what the room books.

Who buys a live music venue email list?

The main buyers are acts and the people who book for them. Touring bands, solo artists, booking agents and managers use it to find rooms along a route. Publicists and radio promoters ask venues to list shows. Record labels and festivals look for rooms that host showcases.

Others sell to the room. Sound and lighting equipment dealers, backline rental companies, stage and PA technicians, ticketing software, merchandise printers, beverage distributors and bar supply houses reach the venue owner. Poster printers, photographers and videographers who shoot concerts look for local rooms that need content. Liability insurers who cover entertainment venues and security staffing firms also write to the list.

How do you run outreach to live music venues?

A booking request goes to the person who fills the calendar, and the venue's own website usually says who that is. Read the booking page first. Some rooms ask for a press kit through a form, some want a short email with links, and some want a local opener. Follow the rule on the page, and use the email column for the rooms that accept email.

A band should lead with a link to music, the dates it can travel, the draw it brings and any local support. Keep it under a short paragraph, since a talent buyer reads many of these. The 212 named-person addresses reach a specific person, often the booker or the owner, and a first-name opener works.

A vendor should write about the room. A sound company should mention the stage size from the website, and a ticketing firm should say what it charges per ticket. The 300 role addresses reach a shared booking or info inbox, and the reader is usually a manager who forwards the message.

Remove duplicates by website, because a group often runs several rooms from one inbox. Send in small batches and note which rooms reply.

What email rules apply when you contact music venues?

A commercial email to a venue needs a valid physical postal address for the sender and a working opt-out that you honor. A booking inbox is read by one or two people, and a band that keeps writing after a stop request will not get a slot.

Which states and cities should you start with?

California has 115 live music venue listings, 80 with an email. Texas has 94 listings and 66 emails, Florida 57 and 40, and New York 52 and 36. Colorado has 37 listings and 26 emails, Tennessee 35 and 24, Illinois 31 and 22, Louisiana 29 and 20, Ohio 28 and 20 and Washington 26 and 18.

By city, Los Angeles has 22 listings, New Orleans 19, Minneapolis 18, and Denver and Chicago 17 each. Houston has 16, Nashville and Dallas 14 each, and San Francisco and Austin 13 each.

A touring band can build a route from the table, such as Denver, Minneapolis and Chicago, or New Orleans, Houston, Austin and Dallas. A promoter or a vendor with one salesperson can take Nashville or New Orleans and work through every row.

What is in the list

Source: ProfessionLens, November 2026. Counted 9 November 2026.

Questions

Related email lists

All 1497 email lists

Source: ProfessionLens, November 2026. Counted 9 November 2026.

We pull the data fresh for every order. The share of businesses with an email address varies by niche.